Saturday, November 28, 2009

Random Thoughts About Music


My roommate and I were talking about music the other day, and we agreed that music can explain things that nothing else can. Why is that? The ancient Greeks were kind of leery of purely instrumental music because it was so moving, even without words. They couldn't understand how it produced emotions without any words. It wasn't rational. Do we understand any better today? Well, I was glancing through an article about the Doctrine of Ethos a while back. According to this Greek philosophy, the right kind of music makes the right kind of person, and the wrong kind of music makes the wrong kind of person. This is because music is an imitation of character, rather than a mere representation of character, like other art forms. In a visual art, the color red might signify anger, power, war, or communism. When you're listening to a passage from the forth movement of Tchaikovsky's Symphony No. 6, you can feel and relate to the anger, desperation, despair, and other unnamed feelings bearing down on you all at once because you have felt it before or because you have the capacity to feel it.

Well, I guess relating to music all depends on what the composer is trying to convey, and his and the performers' skill. Sometimes, the feeling of the music seems exaggerated or out of place, and then it just makes people laugh. That's alright if it was intentional, of course, but should be intentional. I was watching a chick flick with my roommates about a week ago, and I had to laugh because the music was quite out of place. The hero sees her with another man! Fully diminished 7 chord! Oh my! I don't think it was supposed to be scary -- or funny for that matter. I didn't think they wanted the hero to come across as a creepy stalker, but that's what the music implied.

Speaking of scary movies, I would say they wouldn't be half as frightening without the music. I get pretty annoyed when they play a progression of awful chords that cannot be named, and the tension is building, and I'm expecting the villain to jump out with a knife, and then... nothing happens. I was getting scared for no reason -- except the music.

Now, I guess we ought to take into consideration that everyone has a different character and set of tastes. Some people consider certain kinds of music to be exaggerated or ridiculous, while others can relate to them and enjoy them. Genetically, we have a lot in common, but we don't all have common backgrounds and experiences. Have you ever wondered why your grandparents like music two generations old, but people your age tend to think it's too sappy or cheesy? Naturally, music of that time was a better imitation of experiences people were having then than the ones we're having now.

Still, I have to wonder why strange people like me enjoy old music. As alien as it sounds to modern ears, I enjoy Medieval and Renaissance music. I grew up listening to classical music, and will always love it. I also listen to classic rock. I really don't enjoy a lot of contemporary music. I have unusual tastes, but I know I'm not the only one who listens to orchestral music and classic rock. I think it has to do with my personality, interests, and upbringing. History is one of my main interests, so I get along quite well with music from the past. Along the lines of personality, though, people are amazed to learn that Kansas is my favorite rock group. They're surprised to learn that I even like any rock. I seem like the quiet, conservative type -- and I guess I am. People would probably expect me to like the Sounds of Sunday sort of music. I don't. THe lyrics are great and inspiring, but the music is too wannabe pop music. I just can't take it seriously like I can Handel's Messiah or Bach cantatas. Well, I first liked Kansas because of their lyrics. For the most part, they're deeper and more thought-provoking than most lyrics by pop stars who never graduated high school and never got out of that mentality. Then, as I've been taking music theory classes, I've realized that their music is also deeper. They do much more than your boring old I-IV-V progression. They modulate and borrow chords and pull chords out of thin air -- and they have a violin.

I suppose there are a lot of factors involved in the kinds of music people can relate to -- more than I know how to expound upon. ...And I didn't even go into how music affects character -- if indeed it does. I'm not a psychologist. Maybe music therapy people would know more about this kind of thing. Somebody should do some research and write an essay on it.

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